Licensed from the Lord of Light Company~ the entire super-rare series of unpublished Jack Kirby art work, originally commissioned for the film version of Roger Zelazny's LORD OF LIGHT and the 1000 acre Science Fiction Land theme park project in Reno, Toronto, Montreal and Colorado, from 1978 to 1980. Soon to be the subject of a feature film and major documentary. The Lord of Light Art series was envisioned and designed by Barry Ira Geller and Jack Kirby, drawn with incendiary brilliance by Jack and inked with devastating intensity by Mike Royer. Each Kirby architectual masterpiece was created both as a film set design and theme park illustration. Each Art Print portrays the same kick-ass, roving birds-eye view style Jack was famous for, ranging from the power of Captain America and Fantastic Four, to the majesty of Thor and the New Gods. As depicted in Wired Magazine May 2007, this is one of the Lord Of Light prints CIA spies used to secretly free six American Hostages from Iran. Select from all 15 Drawings. Buy 5 and get the 6th one for free! Feel the true power and passion of work of Jack "King" Kirby.

The Terminal of the Gods Limited Edition Prints signed, stamped and numbered from #10 through 100, first come first served. Current prints for sale are: #14-23.

Size: (1) 24"x 20" prints. All Limited Edition Lord of Light Kirby Art Prints are made on heavy coated photographic archival/museum quality contact paper, individually printed from **full size negatives** (20"x24") of the original signed artwork. All Limited Edition Lord of Light Kirby Art Prints come with reproductions of the Certificates of Authorization which Jack Kirby signed for Sothebys in 1993. Want a special Inscription?

History: Jack Kirby: This is the first Jack Kirby Lord of Light drawing. Jack had just finished doing the comic book The Eternals for EC; you can still see the Mayan influences here. As more research was done on Indian Architecture, you will notice the growing Hindu mythology themes in the later drawings. We started with my idea of doing both Lord of Light film sets and SFL theme park designs from the same drawings. This would then become a method of preserving his design flow throughout the entire development and production of Lord of Light and Science Fiction Land. In this fashion Jack could remain, "The General," my conferred role upon him. Lord of Light: While there is a bare mention of a central transportation complex to and from Heaven (Milehigh Spire), I got Jack to start with this first drawing and Jack envisioned it perfectly. I saw it mostly as part of Science Fiction Land. In the film it can be the home of the Garuda Bird, flown by Yama. Disembarkation point of the Jet Tube Transporter. Science Fiction Land: The entrance to the Theme Park. 300 yard length, like an airport. Connects to the local Airport, via Jet Tube.s Hovercraft emerges from the Subterraneoan Transport System. Food bars in the heads of the statues. Beacons emit light from statue eyes. Collapsable Dome & elevators to street level.

Each print is hand numbered from 1 to 100. Numbers 1 through 10 are reserved for the Producers' and Kirby families. All are signed by the Producer (including Jack's original signature), and accompanied by a reproduction of the signed Providence Documentation by Jack Kirby. Each print and Document is embossed with the original film company's corporate stamp, to insure value and unique quality.